Friday, May 25, 2012

The Jam Band Scene / Grateful Dead Cult

[link to www.shroomery.org]

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1) Members of the Grateful Dead and the Merry Pranksters have NUMEROUS ties to US intelligence organizations and mind control operations. Grateful Dead lyricist Robert Hunter, and head Merry Prankster Ken Kesey (founder and promoter of the "acid tests" during the sixties, which served to "turn on" thousands of people to the CIA's mind control drug LSD) were both "volunteers" in the government's LSD "research" at Stanford University in the early sixties.

2) The Grateful Dead got their start as the "house band" for the Merry Pranksters' acid tests. "The Merry Pranksters" derived their name from a group of medeival satanists called the Merry pranksters. The motto of the modern-day merry pranksters was "Never trust a Prankster!". The Pranksters membership included LSD kingpin Owsley Stanley, British Intelligence agent and Whole Earth Catalog founder Stewart Brand, child-rapist Allen Ginsburg, and "Mountain Girl" aka Mrs. Jerry Garcia. The Pranksters were also great "friends" with everyone's favorite guys, The Hell's Angels. In other words, the freemason hell's angels were the "security" for the pranksters at their acid tests.

3) Despite being busted numerous times for drugs including cocaine, marijuana, heroin, and HUMONGOUS quantities of LSD, none of the band members ever seems to have done any real jail time. I know of many people with no prior record who were busted with as little as a seed or a joint of marijuana who did jail time. Is the Grateful Dead's "outlaw" persona simply a phony masonic con job? Despite being busted in 1969 with HUMONGOUS quantities of drugs, the Dead not only did NO JAIL TIME WHATSOEVER, but were able to travel freely out of the country for their famous 1972 European tour.

4) The Grateful Dead record covers and art work are LOADED with Freemason symbolism. First of all, the skulls and skeletons which are EVERYWHERE in association with this band. Somewhere on Freemasonry Watch, there is a description of the 33rd degree ceremony, which describes all the SKELETONS that are hung up around the "temple" during this ceremony. At many Dead shows, there were large skeletons hung up both inside and outside the venue.

The rose (and the rose with the skeleton) is another VERY common symbol associated with the Grateful Dead, and with freemasonry.

On numerous concert posters and album art work, the artist Rick Griffin chose to represent a giant flying eyeball with wings. The disconnected "all-seeing eye" is a well-known masonic symbol.

The main symbol/corporate logo most people know of the Grateful Dead is from a record called "Steal Your Face". This corporate logo consists of a representation of a skull, with a lightning bolt going through the middle of it, originally (and usually) in masonic red, white and blue colors. You can view this logo (sans the red white and blue) at dead.net - the official homepage of the Grateful Dead corporation. This could easily be interpreted as a symbol of Crowley's "spermo-gnosticism". (See the website "Christendom and Freemasonry's Use of the Phallus" (as linked to on this site in other places) to read about what a lightning bolt symbolizes for freemasons). Indeed, the original name for the album featuring this logo was "Skull F*ck". The title was rejected by Warner Bros executives however, and the Dead decided to call the record "Steal Your Face" instead. Note too that the Dead had NUMEROUS and important connections with Crowley's OTO. Were the Grateful Dead spermo-gnostic semen drinkers like Crowley's other disciples? Their corporate logo would certainly seem to suggest this."

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